董大宝在老板出国时帮忙看家，却因奶奶来访意外打破家里的一支花瓶。在修复花瓶时又意外被小偷盗取，被小偷索要10万元。老板为了不让董大宝内疚，安排易小文几次为董大宝送钱均告失败。愧疚的奶奶拿来了家中的一个铜盆，却阴差阳错的被网络炒至500万，易小文则用美人计、假绑架等一系列操作后骗走了铜盆。失落的董大宝在朋友们的帮助下，最终智取回了宝贝。

给某个土豪当司机的中年男子董大宝（宋晓峰 饰），这天被老板通知要帮着看守豪宅。谁知老板前脚刚走，他就把奶奶接过来享福。谁知期间发生了意外，奶奶没留神打碎了老板家的花瓶。大宝认为花瓶价值不菲，吓得连忙拿到古董行修复，却得知这是一件现代的工艺品。本来可以松一口气了，哪想到他门前脚走出古董行，后脚就被两个笨贼盯上，趁大宝吃饭的功夫砸破车窗，偷走花瓶，并且开口十万索要赎金。本来不必再理会他们，但是素有“轴神”之称的大宝非要把花瓶赎回来。为此，奶奶拿出传家宝——一个金色脸盆。意想不到的是，脸盆被人以讹传讹，整得满城风雨，世人皆知，甚至有心怀叵测的女人主动投怀送抱……

该片以北京中轴线为叙述主题，追本溯源，在世界文明和中国历史的大的背景之下，站在当今社会视角，围绕不同历史时代中轴线上的人与事展开叙事，全方位解读北京中轴线的文化内涵及文化价值。

同性恋画家Pino闯入一个世外疗养院刺轴坞，在坞主小王盛情邀请下，Pino留了下来并过上一段快乐的日子。一天，Pino恍然察觉一丝异样……

陈界仁拍摄《加工厂》源于这样一个经历。“2003年我邀请偶然相识的联福制衣厂成衣女工，回到她们曾经工作了二十多年、如今已荒废的工厂。7年前资方在拒付退休金后恶性关厂，虽然当时发生了激烈的劳工抗争，但问题至今悬而未决，工厂继续处于荒废。”随着镜头缓慢而持续的推拉摇移，我们看见了女工拂去缝纫机上的灰尘，穿针引线，艰辛地进入现实，她们举起一件衣服，好像那就是抗议的旗帜。

《大數據之軸》以貴州大數據谷的周邊環境為主題。周滔直接背對大數據中心，將攝影機瞄準數據中心周遭的一些「無用」數據：小孩，老人，工人，以及他們與大數據谷以外的地景之間的關聯。影片中，攝影機以水平運鏡方式拍攝梯田，像捲開一幅中國傳統山水畫般，次第展現梯田的坡度。在整部影片中，攝影機作為一種技術，經常瀕臨其極限，艱難地捕捉猶如被數據中心重新配置過的自然地景，而這種改變似乎揭示了人與自然之間的新關係。隨著周滔的鏡頭移動，我們懾服於眼前所見的地景，甚至無法識別其於時間或空間中尺度牽動的規模。或許這一切的變化遠超乎我們所能理解，因為對於已然成為工業產物的我們而言，早已麻木。

《大數據之軸》以貴州大數據谷的周邊環境為主題。周滔直接背對大數據中心，將攝影機瞄準數據中心周遭的一些「無用」數據：小孩，老人，工人，以及他們與大數據谷以外的地景之間的關聯。影片中，攝影機以水平運鏡方式拍攝梯田，像捲開一幅中國傳統山水畫般，次第展現梯田的坡度。在整部影片中，攝影機作為一種技術，經常瀕臨其極限，艱難地捕捉猶如被數據中心重新配置過的自然地景，而這種改變似乎揭示了人與自然之間的新關係。隨著周滔的鏡頭移動，我們懾服於眼前所見的地景，甚至無法識別其於時間或空間中尺度牽動的規模。或許這一切的變化遠超乎我們所能理解，因為對於已然成為工業產物的我們而言，早已麻木。

Tommie is a young guy in Manhattan with a dead-end job handing out fliers in Times Square. At the beginning of a fateful summer, he has a chance encounter with a friend who tells Tommie that he's headed to Provincetown, on the Cape, for a long weekend. Tommie is inspired to make his own trek to P-town, where he goes on a summer long, balls-out quest for Mr. Right, even though he has no money and holds his breath each time he uses his American Express card. In the course of the summer, Tommie looks for a work as a house boy at various inns, works several jobs, benefits from the kindness of a stranger, and gets involved with a series of men. Is it all worth it?

Tommie is a young guy in Manhattan with a dead-end job handing out fliers in Times Square. At the beginning of a fateful summer, he has a chance encounter with a friend who tells Tommie that he's headed to Provincetown, on the Cape, for a long weekend. Tommie is inspired to make his own trek to P-town, where he goes on a summer long, balls-out quest for Mr. Right, even though he has no money and holds his breath each time he uses his American Express card. In the course of the summer, Tommie looks for a work as a house boy at various inns, works several jobs, benefits from the kindness of a stranger, and gets involved with a series of men. Is it all worth it?

The Peek Frean biscuit factory, Keeton's Road, Bermondsey, South London. 　　The boiler room generates the steam that runs the overall biscuit-making operation. Milk and flour is delivered and unloaded. The various ingredients are collected, weighed and mixed, and the resulting dough is rolled out onto trays. These are placed in the cutting machine to form the biscuit shapes, and then transferred to the ovens. After baking, women pack the biscuits into tins. 　　The factory workers undergo a fire drill (with appliances) in the yard and have a lunch break. Empty biscuit tins are washed, and full tins are weighed, labelled and soldered for export. The tins are packed into crates and boxes and loaded onto a conveyor belt. 　　Horse-drawn carts and vans are assembled and loaded. They transport the biscuits out of the factory for distribution to the outside world.